Archive for February, 2019

Kerwin Young is among four composers honored by the Detroit Symphony Orchestra readings scheduled in early March 2019. National recognition by any major orchestra is no small feat, and definitely a well earned accomplishment through much persistence. Kerwin’s American Caravan is scheduled for two readings during an intense week of events. During the DSO residency, each composer will participate in educational outreach with a youth ensemble, performing and analyzing re-orchestrated and reharmonized versions of their work.

ACO-EarShot-Detroit-Collage

I had the pleasure of catching up with our beloved maestro after his return from Saint Louis, where Titus Underwood (principal Oboe – Nashville Symphony Orchestra) and Peter Henderson (Piano – St. Louis Symphony) premiered Kerwin’s “A Composers Passion“.

Kerwin mentioned how this chamber work, originally composed as a movement for Songbirds: Suite for Violin and Piano, ended up not being used. Young says, “This piece had been a dedication to Leontyne Price, and it was written with a lot of deep feeling. I know when I’ve got something good; so I put it aside, knowing that it would eventually get performed. Thanks to the Intercultural Musicians Initiative, it’s premiere was very well received, and it was a memorable event.” 

Kerwin, still composing Symphony No. 7, had this to say: “I’m almost done with Symphony No. 7; I’m neck deep in the final movement now. I want it to be longer than my Symphony No. 2, which is sixty-six minutes, and my longest work so far. I also want it to be more epic than my previous six symphonies. I’ve got it around seventy minutes now, and I’m lovin’ it! I’m happy with what I’ve got so far, but I’m taking my time finalizing it. It’s basically complete; I’m just fine-tuning some things here and there; filling in the gaps and making corrections. I’m writing music that I want to hear, and with a look that I want my published scores to be known for. I think every composer ought to do that; have an identity”Muse Sick-N-Hour Mess Age

Kerwin has also expressed the significance of 2019 being a year of assorted anniversaries and celebrations. On the downside of things, 2019 makes 25 years at unsuccessfully acquiring the opportunity to score his first feature film. On the upside, 2019 marks the 25th anniversary of Public Enemy’s Muse-Sick-N-Hour Mess Age album; and it’s been 30 years since Kerwin’s first Bomb Squad album projects: Fear of a Black Planet (Public Enemy, 1989) and Amerikkkaz Most Wanted (Ice Cube, 1989). Kerwin had this to say, “If you only knew how much I want to be scoring major motion pictures! That’s what got me writing for orchestra in the first place. What I’ve had to go through thus far….It soon come!” 

 

Namhiya Ati, 19 February 2019.

 

 

 

 

 

 

 

Advertisements